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Make a Difference

Make a Difference: Be Generous

One way to be generous is by helping others succeed

 

“Generous” is a broad term. Many of my posts have touched on generosity one way or another. But today I want to encourage you to help others succeed professionally, even if it never benefits you.

Use LinkedIn With a Generous Spirit

If you’re on LinkedIn, you’ll find several ways to help others, starting with being open to connecting with people you don’t know. When I first joined, I believed strongly that LinkedIn wasn’t a place to accept connection requests from strangers. There are articles that advise just that. Then I received connection requests from two young women who had graduated from my alma mater and wanted to talk to me about my career. After they explained why they wanted to connect, I decided to accept their requests. Because the women lived near me, I could talk with each of them face-to-face. When the first woman contacted me, I questioned my ability to help. But both seemed to appreciate the connection and the chance to talk about their career ambitions. I still don’t accept every request, but now I’m open to connecting with strangers if I can genuinely help them.

You can also help others through recommendations. Of course, it’s great to respond positively to direct requests for recommendations, assuming you feel the person who approaches you is worth recommending. But if I like someone’s work, I won’t necessarily wait for them to ask me to write a recommendation. I’ll just write one, which they can accept, reject, or ask me to edit. If you’re connected to someone on LinkedIn, a recommendation can be a wonderful gift of appreciation.

Leave Positive Reviews

This year we had to call a repair person to look at our washing machine. He declared it dead (or, rather, not worth the expense of fixing) and recommended certain brands to replace it. He also told me to check out professional reviews, such as Consumer Reports, rather than relying solely on review sites. “People are more likely to leave negative reviews than positive ones,” he said. He’s right. There are times where I’ve had a particularly bad experience with a business or product and felt motivated to write a negative review. While I do leave positive reviews, I think I’m less likely to take the trouble to do so. In fact, I’m ashamed to say that the repair person’s business card is sitting in a pile, waiting for me to go online and recommend him!

We don’t need to forego all negative reviews. I think there’s a time for that. But it would be great if we left at least as many positive reviews as negative ones — if not more. Especially for small businesspeople, such reviews can be gold. If you love something — the way the stylist cuts your hair or the food at that little restaurant you’ve been going to for years or the new podcast you just discovered — give it a positive rating. We base so many of our choices on ratings these days; let’s help the people we appreciate get more business by giving them positive reviews.

Say a Good Word to Someone’s Manager

This is something I think about doing from time to time, and I always lose my nerve. A good part of it is that I imagine myself as the person behind the counter and think that the words “Can I see your manager” would probably sound like the prelude to a complaint. I don’t want to make the person panic, so I don’t say anything at all. But if we made a practice of asking for the manager to share kind words about someone, maybe people wouldn’t assume the worst when we asked to see their supervisor. And I’m sure managers must get tired of always being summoned for complaints. Hearing compliments about employees could very well brighten a manager’s day, too.

Offer People Opportunities to Build Their Credentials

Many years ago, I sat in a meeting in which people discussed two different speakers for a nonprofit conference: a man and a woman. The people who had heard them both speak felt they were equally good speakers, but the man had more speaking experience. Eventually, the people in the meeting decided to offer the speaking opportunity to the man because of his experience.

There’s no denying that name recognition is a big deal, so if you can afford the person with more credentials, it makes sense to offer that person the opportunity. But at least some of the time, I think it can be appropriate to pick the less experienced of two people with equal abilities, if only to give them the opportunity to grow their career. This is particularly true when you can add diverse voices to an event or a team. If we don’t give opportunities to capable people with less experience, we’re holding them back… and we’re missing out on what they could contribute if only they were allowed to do so.

It’s Okay to Ask for Help

There are reasons experts warn people away from self-centered networking: real relationships aren’t about using people. That’s why I believe in giving without expectations. That doesn’t mean you can’t ask for what you need to achieve your career goals. I’ve asked people for LinkedIn recommendations, and I’ve asked people to review my book. But when I do things for others, I don’t want them to feel that what I’ve done for them is part of a transaction. If I choose to write a LinkedIn review for someone, I don’t want that person to feel beholden to pay me back with a review. My review of their work isn’t about getting something back. It’s about offering help to that person. If we want to make the world a better place, we can make a real difference through little things, like generously helping others to grow their careers.

 

 

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Something Wonderful

Something Wonderful: Eight Female Sculptors

La Valse by female sculptor Camille Claudel
La Valse by Camille Claudel. Photo by Alllie_Caulfield used under CC BY 2.0

When I first started posting about women artists, I asked readers if they could name five or more of them. What would happen if I changed the challenge to “name five or more women sculptors off the top of your head”?

Until some time after college, I wouldn’t have been able to list a single one. My first introduction to a female sculptor was the through the 1988 film Camille Claudel — a movie that is somewhat difficult to find now, though it can be purchased on Amazon.

After that, I started paying attention to female sculptors and their work. I’d open an issue of Victoria magazine and read an article on Bessie Potter Vonnoh. I’d go to the Como Conservatory and notice that it contained not one but two sculptures by Harriet Frishmuth. I’d run across Frishmuth again on visit to the Met… and also encounter two statues of jaguars by Anna Hyatt Huntington.

I recently decided to write about Frishmuth, but as I started my research, I found I wanted to include other female sculptors. In the end, I picked eight women to feature in this post.

Edmonia Lewis

Statue of Hagar by female sculptor Edmonia Lewis
Hagar by Edmonia Lewis

Edmonia Lewis was an American sculptor of African-American and Native American descent. Her mother’s Ojibwe family adopted her after her parents died. She attended Oberlin College, where she faced accusations of crimes. Both times she was acquitted, but the second time she was prevented from continued enrollment. In connection with one of the accusations, a crowd of vigilantes beat her and left her for dead. After leaving Oberlin, Lewis sought instruction in sculpting. She was rejected by three instructors before finding someone who would teach her. A couple of years later she moved to Rome, Italy, where she spent most of the rest of her life. She’s known for neoclassical work, which she did mostly alone (unusual at the time). You can find Lewis’ work at various U.S. museums, including the Smithsonian.

Vinnie Ream

Abraham Lincoln by female sculptor Vinnie Ream
Statue of Abraham Lincoln by Vinnie Ream

Vinnie Ream was the first woman to receive a commission from the U.S. government for a statue. Her subject matter was a big deal. In 1866, at the age of 18, she won a commission to produce a statue of Abraham Lincoln. This statue, displayed in the Capitol Rotunda, is her best-known work, but it’s hardly the only prominent sculpture by Ream that you can find in the D.C. area. Her statue of Admiral David G. Farragut sits in Farragut Square; her statue of Sequoyah is in Statuary Hall at the Capitol; and her grave in Arlington Cemetery is marked by a copy of her statue of Sappho. You can also find the Sappho sculpture in the Smithsonian’s American Art Museum.

Camille Claudel

Between her affair with Auguste Rodin and her confinement to a mental hospital, Camille Claudel is almost better known for her tragic life than for her art. She destroyed much of her work in 1905. What’s left is good stuff — beautiful and powerful. Your best bets for seeing her sculptures are in France, including a museum dedicated to her work. Otherwise, unless you’re lucky enough to stumble across a special exhibit featuring Claudel, you’ll have to settle for an odd piece here or there. In the United States, the Met has The Implorer, and the National Museum of Women in the Arts has Young Girl With a Sheaf.  The latter is not on display right now. As far as I know, those are the only two of her works in permanent collections in the U.S.

Bessie Potter Vonnoh

Sculpture by woman sculptor Bessie Potter Vonnoh
Sculpture by Bessie Potter Vonnoh

Bessie Potter Vonnoh is best known for her “Secret Garden” statue in Central Park, but much of her work was smaller than that. She created many accessible table-top statues that often featured domestic subjects. You can find her sculptures in museums like the Met and the National Gallery of Art.

Gertrude Vanderbilt Whitney

Female sculptor Gertrude Vanderbilt Whitney's Head of a Spanish Peasant
Head of a Spanish Peasant by Gertrude Vanderbilt Whitney

Yes, Gertrude Vanderbilt Whitney was one of the famous Vanderbilt family. Yes, she founded the Whitney Museum in New York. But she wasn’t just a wealthy art collector. Whitney was also a successful sculptor who created several large public pieces, which can be found in New York City, Washington, D.C., and a few other places. She also made smaller sculptures. Some of her work, such as her statues of World War I soldiers, has a style that feels deliberately unfinished — more modern than the work of the other women I mention in this post.

Anna Hyatt Huntington

The Torch Bearers by female sculptor Anna Hyatt Huntington
The Torch Bearers by Anna Hyatt Huntington

Apparently, just as you find Ream’s sculptures all over the D.C. area, you can find lots of Anna Hyatt Huntington’s work throughout New York City. Huntington specialized in animals, especially, though not exclusively, horses. Her statue of Joan of Arc is the first public monument in New York City to be created by a woman and the first public monument there to honor a real woman. Her work extends far beyond New York, to places like Spain, Argentina, California, South Carolina, and Connecticut.

Harriet Whitney Frishmuth

Crest of the Wave by Harriet Frishmuth
Harriet Frishmuth’s Crest of the Wave at the Como Conservatory. Photo by Robert Francis [CC BY-SA 2.5 (https://creativecommons.org/licenses/by-sa/2.5)], via Wikimedia Commons.

Step into one of my favorite rooms at the Met, and you’ll find Harriet Frishmuth’s sculpture The Vine. But long before I had the opportunity to see that, I had fallen in love with her graceful Crest of the Wave, which is on display in the Como Park Conservatory along with her work Play Days. I love the sense of graceful movement that’s present in so many of her sculptures. You can find her work here and there across the United States.

Augusta Savage

Female sculptor Augusta Savage poses with one of her sculptures
Augusta Savage and her sculpture, Realization

Augusta Savage was an artist who pursued her passion in the face of great opposition. Her father beat her for making clay figures. As she grew and continued to sculpt, she sometimes found encouragement — a high school principal who believed in her, financial aid that enabled her to attend Cooper Union. But she also faced discrimination and financial difficulties. In 1932, she opened a studio in Harlem, where she taught art. Unfortunately, after a career high point in 1939, when she was commissioned to create a sculpture for the World’s Fair, she largely withdrew from an active career in art, possibly discouraged after years of struggle. Very little of her work has survived her. You can find her bust Gamin at both the Smithsonian’s American Art Museum and at the Cleveland Museum of Art.

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Make a Difference

Make a Difference: Embrace Gray

Gray or grey day photo

… or, if you prefer the British spelling, grey.

I’ve stated before that I believe in right and wrong. But I also believe that we live in a world where many issues are not black-and-white. There are shades of gray. And if we embrace the gray, we may be able to listen to and understand others better.

I’m going to use a personal example that will probably alienate me from many people on both sides of the abortion debate. I have talked about this with very few people, but it feels like the right story to share here.

When I was a teen, I identified as pro-choice. For me, my stance was a no-brainer. Legal abortions were safer abortions. It was clear to me that many women would seek to terminate an unwanted pregnancy for a variety of reasons, whether or not abortion was legal. I believed that legal abortions would at least protect the lives of the women who chose them.

Partway through college, I changed my point of view. A large factor in my shift was an ethics class I took. During class, we examined abortion through a pro-choice perspective outlined in the “people-seeds” example from Judith Jarvis Thomson’s “A Defense of Abortion.” While many people agree with Thomson’s reasoning, I was disturbed by it, because it granted no consideration to the “person-plant.” To stick with Thomson’s analogy, since a woman whose mesh screen failed to keep a “people-seed” from taking root in her home would only be obliged to put up with the person-plant for nine months, it seemed to me a callous point of view not to consider possible pain and suffering and even a right to life on behalf of the person-plant. In fact, it seemed to be a very selfish point of view.

During this time, I began to encounter liberal people who embraced feminism but who were also pro-life, challenging my sense of what sort of person a pro-lifer was. Meanwhile, my fellow pro-choicers were alienating me. I was put off by the slogans chalked around campus, such as “Keep your rosaries off my ovaries.” It seemed to me that many women were approaching the issue from a very “me-centered” point of view. While I continued to believe in the legality of abortion when a woman could lose her life or was a victim of rape or incest, I was concerned about the rights of the unborn child, too. So I began to identify as pro-life.

While I did switch sides on the debate, I refused to condemn the faith of pro-choice women. Some Christians (though certainly not all) seem to equate being a Christian with being pro-life. I knew that I was every bit as passionate about following Christ when I was pro-choice as when I was pro-life. I no longer agreed with my previous pro-choice perspective, but I knew I’d held it out of a deep concern for what I thought was the best solution to the difficult problem of unwanted children. This willingness to acknowledge good will in another’s point of view is part of what I mean by embracing gray.

Since college, I’ve continued to meet people on both sides of the debate who are people of good will. I’ve witnessed acts of intolerance by both pro-choicers and pro-lifers toward people they disagreed with (although I can’t think of a time when a pro-choicer has bombed a pro-life facility). I’ve met women who chose to have an abortion, such as a Catholic woman who was pregnant with an anencephalic baby. I’ve met women who chose not to have an abortion, including another woman who was told her baby had anencephaly — and the diagnosis turned out to be wrong. (I don’t believe this means that the first woman I mentioned was wrong to make the choice she did.)

I’ve been deeply disturbed by people who say they are pro-life but who will not embrace completely pro-life principles, including abolishing the death penalty. Likewise, I’ve been frustrated by some of the proposed pro-life legislation at state levels that seems to prove exactly what pro-choicers have said about pro-lifers: They only care about unborn children, not women. Many pro-lifers seem to fail to see that by addressing issues related to women and poverty, such as paid maternity leave and adequate health care, they will go a long way to reducing abortions.

On the other hand, I’m saddened by the refusal of many pro-choicers to refer to an unborn child as anything but “fetus,” to avoid doing anything to humanize him or her. We need to have serious conversations about pain and suffering and about how oppressed groups are frequently dehumanized. Are we dehumanizing and oppressing unborn children, who cannot speak for themselves?

While I don’t see both sides of the issue completely (I’m not God), I do see them to some extent. I believe there are nuances we need to acknowledge and discuss. We need a deeper conversation than merely whether or not abortion should be legal. For me, abortion is not a black-and-white issue. It’s colored in shades of gray. Maybe that’s why I’d rather not identify myself as pro-life or pro-choice these days.

I’m not telling you this because I think I’ve reached some sort of mystical state of enlightenment on abortion. I haven’t. If anything, I’ve felt a little jaded lately and could use more of God’s grace. But my journey is an example of how we can acknowledge that issues are more complex than the stark black-and-white colors we want to paint them in. We live in a world of gray, and that’s not a terrible thing. If anything, being willing to embrace gray may help us grow in humility and in love for those we disagree with.

As we engage in debates about all sorts of issues, let’s acknowledge that there’s a lot of gray in the world. We don’t need to become relativists. But if we’re willing to respectfully engage in deep conversations and to wrestle over more difficult questions than “Which side of the issue is right?” we may actually make progress on some of the world’s most difficult problems. If nothing else, we’ll ease some of the tensions between groups with opposing points of view.

 

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Something Wonderful

Something Wonderful: The Point

These dogs remind me of Arrow from The Point
If I had a dog as pointy as these, I might name it Arrow.

If you haven’t listened to Harry Nilsson’s The Point! or watched the related cartoon, it’s time.

The Point is the story of Oblio, a child in the Pointed Village, where everyone and everything has a point. Born round, Oblio is the exception to the rule. Despite his well-known pointlessness, he manages to fit in fairly well. His mother has made him a pointed cap, which helps him look like everyone else. He also has a dog, Arrow, who teams up with him for the popular game Triangle Toss. Then he crosses the Count’s son and finds himself banished to the Pointless Forest. His journey through the forest convinces him that everything has a point (visible or not). Like The Princess Bride, the story is framed within a story of an adult reading to a child, complete with interruptions. There is a moral — errrr, point — to the story, but it doesn’t feel preachy.

The television show, which I saw at least once as a kid, is true to its time (1971). Its animation is basic but beautiful — in a very different way than, say, Miyazaki’s animation. It’s also pretty trippy. I wasn’t terribly surprised to learn that Nilsson conceived of the story while on acid. You’ll recognize many of the voices: Ringo Starr is the narrator (for the best-known version), Mike Lookinland is Oblio, and Paul Frees and Lennie Weinrib also contributed their talents. When I rewatched the video before writing this post, I found a moment that is cringe-worthy in its lack of sensitivity — a stereotype of a Chinese man during the first few seconds of “P.O.V. Waltz” — but otherwise the video is as watchable and relevant today as it was when it first came out.

The album is classic Nilsson. It includes “Me and My Arrow,” a song you may have heard even if you are unfamiliar with The Point. In fact, I was inspired to write this post because I recently heard that song in a store and found myself grinning ear-to-ear. I listened to my parents’ album over and over and am overjoyed to have found a man who shares my love for it. His commentary about and clips of The Point are far better than the official video trailer.

The Vinyl Geek recommends that you watch the video on YouTube and buy the vinyl album. I agree that the album is amazing. If you can get your hands on a good copy with the insert, by all means get it! But new copies of The Point! are not available, so unless you’re lucky enough to find a reasonably priced album in good condition, you may have to settle for the CD or MP3 version. (Since plenty of people are listening to vinyl again, I hope the album will be re-released, complete with the insert.) Rather than watching the video on YouTube, however, I’m going to encourage you to get it from Netflix (you’ll have to get it on disc) or see if your library has it. You can also purchase the DVD from Amazon.

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Uncategorized

One Year of Blogging

It's the one-year anniversary of this blog.

I started this blog one year ago on Oct. 3. Since then I have posted twice a week on Mondays and Thursdays with a couple of exceptions: I posted late once in November, because I lost track of time, and I took a two-week break this summer. It’s not the first time I’ve blogged, but it is the first time I’ve blogged regularly.

I decided to post twice a week because it seemed like a schedule I could keep up with. This also allowed me to share two topics each week: “something wonderful” and ways to make a difference.

I’ve learned a lot over the past year. I was worried that I’d run out of things to write about, but that hasn’t been a problem. I have long lists of topics for both categories, and I continue to add to them. Even if I add nothing more to either list, I could easily keep this schedule up for months. On the other hand, I wish I had started this blog with several posts completely written. I’d drafted a few, but they were just drafts, so — except when I briefly got ahead of the game around Christmas — I often finish a post only the night before it goes live.

I knew that blogging twice a week would stretch me, but it’s been even more challenging than I expected. It’s hard to produce well-researched, well-written posts twice a week while working full-time. And because I’m blogging twice a week, it’s hard for me to find time to write other things. Also, my job has changed significantly over the past year, so I’m away from home longer hours than I was a year ago.

So I’ve decided that it would be better for me to post less frequently. Starting this week, I will be posting once a week. I still plan to post alternately on something wonderful and on making a difference, but I will only post on those topics every other week. My posts will fall on Mondays.

I’ll see you next week with a new post on something wonderful. Thank you for being one of my readers.