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Something Wonderful

Something Wonderful: Forbidden Island

Forbidden Island

When my daughter was young, I noticed that she got a bit upset when she lost board games — a typical response for many young children. While I think it is important for kids to learn to lose gracefully, I decided I wanted to make games more pleasant for both of us by mixing in the occasional cooperative game.

My first cooperative game purchase was Break the Safe. My daughter and I enjoyed it, although I learned that she was as unhappy when our team lost to the timer as she would have been losing to me. I’d review that game for my weekly “something wonderful” post, but Mattel stopped manufacturing it. It costs more than $50 on Amazon. While some complex games cost at least that much, Break the Safe is not that sort of game.

More recently, I purchased Forbidden Island by Gamewright, the same company that makes Sneaky Cards. Forbidden Island is inexpensive and easy to find.

The object of the game is to collect four sacred treasures from an island that begins sinking as soon as your team sets foot on it. If you start gameplay at novice level, this seems quite doable at first. Players can use their turn to work on treasure retrieval or, if needed, to shore up part of the island. In addition, each player has certain skills that help the team achieve its object. The Engineer, for instance, can shore up more of the island per turn than any other player.

The problem is that, sooner or later, a player will get an unlucky card that will increase the pace at which the waters rise. As play continues, the island floods more quickly. Losing is a very realistic possibility. And if, by chance, you find the odds aren’t as much against you as you’d like, you can always start the game at a more challenging level.

Forbidden Island moves quickly; you can easily play more than one round during the time it would take to watch a movie. Gamewright recommends the game for ages 10 and up.

If you haven’t tried a cooperative board game, I highly recommend Forbidden Island. It’s entertaining and easy to learn. And, much as I enjoy movies, there’s a lot to be set for sitting down with friends and family and playing a game.

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Make a Difference

Make a Difference: A Human Trafficking Victim May Be at Your Door

Some door-to-door salespeople are victims of human trafficking.

I’m not proud of this, but I am a suspicious person by nature. Many years ago, my husband and I were at a state park, and a very friendly man who was there with his family stopped to chat with us. Too friendly, I thought. Bet he’s trying to recruit us for Amway. (I had been in Amway briefly myself.) I was actually right, more or less. He had my husband’s full name and later called to ask him if he wanted to go to a meeting about a business opportunity. Whether or not it was Amway is a mystery, because we didn’t go.

So when a teen shows up at my door selling magazines for an organization I’ve never heard of, I think, Scam.

What never occurred to me until recently was that the kid might be a victim of human trafficking.

The best resource to learn more about the problem of slavery on door-to-door sales crews, particularly those selling magazines, can be found in the 2015 report “Knocking at Your Door,” created by a major anti-trafficking organization, Polaris. It’s a 36-page document, but that includes the cover, end notes, and blank pages. It really is a quick read.

Here’s the summary for those who aren’t ready to read the report right now: Many door-to-door magazine sales crews (as well as some other sales crews) recruit disadvantaged youth with false promises of the opportunity to make a lot of money through sales. In reality, the kids earn little money, work long days, and live under difficult conditions. They’re often cut off from contacting their families. They may receive little food and will sleep crowded together in hotel rooms. They are coerced into staying through threats of abandonment (without money or even identification), acts of violence, and debt bondage.

The organization Traffick911 lists some signs that a door-to-door sales person may be a victim of modern-day slavery, including emotional appeals, bruising, malnourishment, inappropriate clothing for the weather, and information indicating they are not being paid or are not free to leave the crew. This organization suggests asking nonthreatening questions such as “How much money have you been able to raise for college so far?” or “Have you been working a lot lately?” If the young person answers evasively, they may be a victim of human trafficking.

At least one news organization suggests a more direct line of questions, such as “Are you being paid?” and “Can you leave if you want to?” You can also ask the youth to show you a city sales permit. Most cities require such a permit, but few of these traveling crews obtain them.

If you suspect human trafficking, you can call the National Human Trafficking Resource Center hotline: (888) 373-7888. You could also provide this number to the crew member at your door. Let them know that they can get help. (Of course, they will have to have privacy and access to a phone to make the call.)

Polaris also suggests changes to federal and state legislation in order to protect door-to-door salespeople, as well as promoting awareness of this form of labor trafficking among law enforcement agencies, hotel employees, and employees of bus companies. You can read the full list of suggestions on pages 23-26 of the Polaris report. Consider taking the time to advocate for these kids by encouraging legislators and businesses to do their part to stop trafficking in door-to-door sales crews.

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Something Wonderful

Something Wonderful: Eartha

Eartha cover

I first heard about Cathy Malkasian’s graphic novel, Eartha, from Glen Weldon on Pop Culture Happy Hour. I don’t remember his exact words, but I believe he described it as “beautiful.” He was enthusiastic enough that I bought a copy and was prepared to be enthralled.

I was disappointed in the first chapter. Although I am not a person who needs action-packed sequences to stay interested, the story’s pacing felt too slow for me. In the beginning we meet Eartha and the people of her home, Echo Fjord. We learn that they harvest dreams from the City, but recently the dreams have become scarce. When a few dreams finally appear, the first  to show up is a graphic sex dream. At that point in the novel, I thought the dream was meant to titillate (pun intended), but it plays an important role in the second part of the book. In fact, many seemingly throw-away details in the first chapter will crop up later on.

Things finally pick up when Eartha leaves Echo Fjord for the City. When she arrives, she finds that the populace has become obsessed with news in the form of a biscuit. As she explores the mysteries of the City and inadvertently shakes things up, she collects allies — just as any protagonist in a fairy tale would.

Eartha’s adventures in the City completely won me over. The story itself is enthralling. The characters are strong, and the art is gorgeous, though not stereotypically so.

Eartha is not only beautiful, though — it’s also timely. As people obsess over their biscuits, she keeps asking, “Is it true?” I don’t know when Malkasian finished the book, but I have to believe she was commenting on our society with this story.

You need to know that Eartha is not like typical graphic novels; it’s hardcover and therefore not cheap. It may be difficult to get at the library, since it is so new, but it’s worth requesting if you decide not to buy it.

 

 

 

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Make a Difference

Make a Difference: Use HeroSearch.org

Herosearch logo

Full disclosure: I know the founder of HeroSearch.org and have done some writing for her. She did not ask me to write this post.

Sometimes you know what to do with your stuff. There are things you recycle or throw away, because no one would want them. The Writer’s Market book from 2003. The stained, holey t-shirt. There are also things that you have a home for. You’ll give your friend that necklace you no longer want, but she loves. You’ll take your toddler’s outgrown coat to the coat drive your church runs every fall.

Sometimes you look at something and have no idea what to do with it. Or, you know that Organization X might take it, but you wonder if you can find an organization with a mission you feel passionate about that would want it.

Enter HeroSearch.org.

HeroSearch.org allows you to search for organizations near you that need specific items you might have. You must enter your ZIP code and the distance you are willing to travel. Then, if you wish, you can narrow your search by organization name, by the types of items you have to donate, by whether or not the organization will pick up your donation, and by type of charity. For instance, when I searched for a place within 20 miles that would accept musical items, I found Pedal and Roll for Parkinson’s, which needs percussion instruments. When I searched for animal organizations within 10 miles that could use any donation, I found a wildlife rehabilitation center that could use shoeboxes (I’ll have to remember not to recycle mine anymore) and bath towels. I also found an animal shelter that needs newspapers, fans, fleece, pet carriers, and zip ties.

HeroSearch.org started in the Minneapolis-St. Paul area, so most of the participating organizations are within that region. But if you are anywhere in the United States, try the search. I searched for charities within 100 of miles of 22301, and one in Wheaton, Maryland, popped up. Nominate a charity in your area, and perhaps you will help HeroSearch.org grow.

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Something Wonderful

Something Wonderful: Hit Parade

The Hit Parade podcast is a wonderful deep dive into popular music.

The Slate Culture Gabfest has recently treated listeners to monthly episodes of a new podcast, Hit Parade. In Hit Parade, Slate music critic Chris Molanphy analyzes a moment in the history of the Billboard’s Hot 100.

The first episode dove deep into the history of one of the most overplayed songs of 1988: UB40’s “Red Red Wine.” It was one of those songs that you might enjoy the first few times you hear it, but if, for instance, you spend a weekend painting your dorm room, and the radio station you are listening to keeps playing it, you lose your taste for the song. So it’s saying something that I listened to the first episode of Hit Parade all the way through with interest. I can even tolerate hearing “Red Red Wine” again, simply because I now know so much more about the song’s history.

The second episode has been my favorite to date. In it, Molanphy explores how the Beatles landed the top five slots on the Hot 100 one week in 1964. It’s a fascinating story, and it taught me a lot about how the Beatles broke into the American market. (Hint: It wasn’t as easy for them as you might think.)

The most recent episode compares the careers of Elton John and George Michael. While the episode supposedly focuses on a week in 1988 when they were rivals on the Hot 100, it covers so much territory that the week in question feels like an afterthought. That said, as I listened I developed a deeper appreciation for Elton John, whose music I already liked.

What makes all of these podcasts wonderful is Molanphy’s deep knowledge of popular music. He tells you things about songs and their history that you’d never think to ask about, and you feel richer for it.

As far as I can tell, you can’t subscribe to this podcast on its own. You can download individual episodes, or you can get the podcast when you subscribe to the Slate Culture Gabfest or the Slate Daily Feed. I do recommend the Slate Culture Gabfest, so you may want to subscribe that way.

If you want to learn more about current popular songs, read Molanphy’s series, Why Is This Song No. 1? Like his podcast, this series takes a deep dive into the stories behind No. 1 songs. From just one article, I’ve learned about Luis Fonsi, Daddy Yankee, reggaetόn, and the history of past Spanish-language hits that made it to the Hot 100’s top spot.

Thank you, Chris Molanphy.

 

 

 

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Make a Difference

Make a Difference: Set Up an Alternative Gift Fair

Consider setting up an alternative gift fair before Christmas

On the first Saturday in November, my church hosts a large craft fair. I usually show up, and I frequently buy something. One year I even shared a table with someone. If you know me, you know that this wasn’t my best idea. I’m not gifted at doing crafts. But my husband had been unemployed, so I thought I’d try to supplement our income by selling crafts. (Ha!)

I tell you this to let you know that I have nothing against craft fairs. I enjoy them, and I believe in supporting independent craftspeople.

But if you belong to an organization that hosts such fairs, consider supplementing the fair with alternative and/or fair-trade gifts. If you belong to an organization that doesn’t have a craft fair, consider starting a new tradition with an alternative gift fair.

This takes planning. It may even require you to get approval from others before you can move ahead, so I’m promoting this idea many months before you might host such a fair.

Alternative gift fairs come in many shapes and sizes. New Dream (which I mentioned in a previous post) has a detailed eight-week planning guide for a large alternative gift fair that features several tables offering charitable gifts. When shoppers check out, calligraphers complete cards for gift recipients. There is also a table with information on making the holidays more meaningful.

The gift fair could also feature many fair-trade gifts from different vendors, or it could focus on goods from just one vendor. Both SERRV and Equal Exchange give suggestions about hosting a fair that features their goods.

The fairs that I think could be most attractive feature some combination of gift options. The ELCA has an excellent Good Gifts Fair Planning Guide that suggests adding fair-trade vendors to an alternative gift fair or including a small, relevant gift for each charitable contribution, such as a water bottle for people who donate money to help pay for a well or water purification tablets. This guide also suggests gift fairs at different times of the year, including Easter and Mother’s Day. Equal Exchange has an article on Winter Park Presbyterian Church, which hosts a fair that includes fair-trade goods, homemade gifts, and opportunities to make charitable contributions.

If you’re gifted in event planning, hosting some sort of alternative gift fair could be an excellent way for you to make a difference. If you’ve already done this, or if you decide to tackle this idea, I’d love to hear from you!

 

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Something Wonderful

Something Wonderful: Sebastian by Gian Carlo Menotti

Saint Sebastian
Coincidence? I think not! Saint Sebastian by Antonello da Serravalle (bode.diee.unica.it) [Public domain], via Wikimedia Commons

Gian Carlo Menotti is primarily known as a composer of operas. He’s most famous for his children’s Christmas opera, Amahl and the Night Visitors. But he also composed other music, including the wonderful ballet Sebastian. I’ve never had the opportunity to see it performed; I’m not sure how often ballet companies produce it. But the music itself is beautiful.

Sebastian is most often heard as a seven-movement suite, which is what I’m recommending to you. Honestly, I’m not crazy about the only complete version of the ballet that’s currently available. The problem is largely one of personal preference; I grew up with a slightly different interpretation (probably Leopold Stokowski’s), and it has become cemented in my mind as the “right” version. Also, the suite is nearly as long as the complete ballet, so if you buy the suite, you aren’t missing much. I enjoy the recording by the Spoleto Festival Orchestra under Richard Hickox. I urge you to follow the advice of one Amazon reviewer: Get the music on disc, not as an MP3. The MP3 version leaves breaks between movements that shouldn’t be there.

The 20th-century classical music that I prefer tends to be melodic — think Aaron Copland, not John Cage. Menotti falls squarely into the melodic camp. Sebastian is gorgeous. Its movements range from “Street Fight,” the most contemporary-sounding piece in the collection, to the parade-like “Cortege” and the lyrical “Pavane.”

I became familiar with the plot of the ballet when I was young, but at the time, I didn’t see anything special about the name of the title character and his fate. Briefly, Sebastian is a slave who is in love with a courtesan in an Italian court. She, in turn, loves — and is loved by — the prince. The prince’s sisters do not approve of the courtesan and steal her veil in order to kill her through witchcraft. They plot to cover a wax figure with the veil and pierce it with arrows, thus killing the courtesan. Sebastian substitutes himself for the figure in order to save the courtesan, who lives happily ever after with her beloved prince.

Years later I became familiar with the many gruesome paintings of Saint Sebastian, pierced by arrows. Can there be any doubt that Menottti was making a reference to the saint?

If you only knew Menotti through Amahl and the Night Visitors, or if you didn’t know him at all, it’s time to listen to Sebastian. It’s woefully underappreciated.

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Make a Difference

Make a Difference: Share a Copy of Drop the Ball

Drop the Ball
I’ve added a copy of Drop the Ball to my Little Free Library.

I wish Drop the Ball was around when I was new mother.

When my husband and I were newlyweds, he worked an average of 60 hours a week. I worked 40 hours per week, we lived in an apartment, and we had no children. It made sense for me to be responsible for most of the domestic chores. Over time, our work schedules equalized. We also purchased a home and had a child. My husband took on more domestic responsibilities than he had in the past, but I never felt like we did a good job of renegotiating housework. I coped by neglecting a lot of chores and by limiting my career ambitions.

Dufu says many women take the “mommy track” for just this reason. She wrote Drop the Ball to encourage women and men to rethink household chores so that mothers don’t have to give up on their careers.

If you are imagining a book that teaches women to order men around, you’ve got the wrong idea. Dufu does encourages women to speak up about how household responsibilities are shared, but the plan she outlines encourages men and women to work together as a team. She also makes it clear that women need to trust men’s competence at home, noting that too often we get in our own way when it comes to sharing chores.

Dufu’s book is both positive and practical. The first few chapters set the scene for her decision to drop the ball. Then she gets into the meat of her story: how she went about making changes. Dufu encourages couples to set a “compass” — a few questions that help them make decisions together — and to get clear about their values. She shares how she created a spreadsheet that reflects all household work. This work is then allocated among family members. One of the most important columns on the spreadsheet is for tasks that won’t get done until the next time the couple sits down to reallocate chores. This is one way women can practice dropping the ball. They also should step back and let family members take full responsibility for their own chores — a difficult but necessary task.

What should women do with the time they free up after letting go of some of their responsibilities at home? Dufu encourages them to prioritize exercise, sleep, networking, and increasing one’s professional presence.

Although this book is written for a specific audience — married heterosexual mothers who work outside the home — there are lessons in it that can work for many different people. Single mothers may be able to apply some of Dufu’s “go to’s” and pull together support teams. Women with grown children, or no children, who still feel that an imbalance of household responsibilities makes reaching their full career potential difficult will be able to use many of Dufu’s tricks for dropping the ball. No matter who you are, if you want to renegotiate chores in your household, this book is worth reading.

Our child is no longer small, but I plan to use much of what I’ve learned from this book. More importantly, I’m sharing it with others. Recently some people asked me to mentor their teen daughter. As part of our mentoring relationship, I gave her a copy of the book. I’ve placed a copy in our Little Free Library. I have yet another copy on hand to give away when I find someone else who could use it.

If we want to make a difference, we need to remove barriers that hold women back from making their best contributions to the world. One way we can do that is by sharing this book. If women start using their time in a way that aligns with their values, they’ll be happier and more effective. And when women and men start working as a team, everyone wins.

 

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Something Wonderful

Something Wonderful: Cat Ballou

Cat Ballou

I believe I was in college when my mom asked me if I’d ever seen Cat Ballou. I hadn’t, and when she first described it to me, I wasn’t sure I’d like it. At the time, I didn’t care for Westerns, and the fact that it starred Jane Fonda didn’t move me. My mom insisted that I watch it anyway. It’s been among my favorite movies ever since.

If you haven’t seen or heard of this movie yet, then you won’t know that Cat Ballou is a must-see largely because of Lee Marvin’s Oscar-winning performance. He plays more than one character in the film, but it’s his time on screen as Kid Shelleen that makes this movie a work of comic genius.

When I say that Marvin carries the movie, I don’t mean to disparage the rest of the film. There’s plenty more to enjoy. The music is infectious, particularly the songs performed by Stubby Kaye and Nat King Cole. I’ve found myself alone in the car singing “The Ballad of Cat Ballou”: “Cat Ballou! Cat Balloo-oo-ou! She’s mean and evil through and through!” Cole was suffering from his lung cancer while the movie was shot, but his voice was still silky smooth.

The script is fast-paced and entertaining, and the principle actors do it justice. I don’t know what filming was like for them, but it’s hard to imagine that they weren’t having fun. The dialogue is filled with exchanges like Cat’s argument with her “gang” as she tries to persuade them to rob a train. When Clay Boone tells her, “We’re rustlers, not train robbers,” she retorts, “Well, if people didn’t try something new, there wouldn’t be hardly any progress at all!”

But no matter how much I enjoy the film as a whole, Marvin’s performance outshines everything else. Without it, this might have been merely a good movie. With it, Cat Ballou is among the greats.